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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。他叫欧阳盆栽（萧敬腾 饰），是一个刚入行的菜鸟杀手。没有人知道他真实的姓名，他师从骗神（曾志伟 饰），师徒俩天生不适合当杀手，拿起刀手都软，因此他们只利用人性杀人。通过制造种种意外事故，在七天之内让目标从世上消失。骗神的生意多年来稳定，即将退休的他将盆栽推向前台，将徒弟 介绍给心狠手辣的黑道大哥（黄立成 饰）。可是盆栽始终无法狠下心来杀人，为了拯救被杀者以及自己的性命，盆栽找来了黑道医生全叔（张国柱 饰）、性感黑客娜娜（周秀娜 饰）、无良保险业务员曾阙德（马念先 饰）共同制造了一桩桩艺术级的假死事件。 再完美的骗局也有败露的一天，不合格的杀手欧样盆栽将自己置身莫大的危险之中……。哈蒂·拉姆（Hathi Ram）在一次新的追捕行动中面临严重的致命危险，他被带回了阴曹地府。。