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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。故事发生在改革开放全面展开的年代，踌躇满志的年轻人们不拘于手中的“死工资”，纷纷放弃手中的铁饭碗，下海试水，誓要闯出属于自己的一片天。他们抓住过机会，也经历过陷阱，也许上一秒曾名躁一时，但下一秒可能就一败涂地；他们经历过人生的太多坎坷和大起大落。巩大为代表着那个时代一群奋斗者的典型，他自信，但不安于命运的安排；而沈小红是一个敢爱敢恨，刀子嘴豆腐心的“女屠夫”，为了自己爱的人，她可以甘愿牺牲自己的所有；青春萌动的马志军是那个年代的激情份子，但他总能在命运的黑暗中找到一抹生活的红；而高波身上所散发出的是那个特殊年代部队大院子弟的优越感。这四位性格迥异的年轻人，在那个动荡不安的年代，4位年轻人对待不同命运所作出了不同的选择，用他们奋斗的汗水演绎出属于他们各自的幸福。。