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清晨，诺兰在森林中醒来时发现双手被反绑在树上，几经努力逃生无果。被饥渴折磨了几日后终于有一个徒步者出现，但对方安营扎寨竟然故意忽略自己，诺兰不知为何遭受这般虐待。影片虽然在室外取景，但导演马克·施科尔曼利用被束缚的活动空间营造出特殊的幽闭恐惧感，在全力刻画诺兰为存活而战的同时，也用另一种角度解释了怜悯。本片曾入选美国知名的小众类型片盛会“奇幻电影节”（Fantastic Fest）。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。资深机长乔伊将星际号航班定为他的最后一次飞行。而飞机起飞后不久，一帮劫机者的出现使得整个飞机陷入一片混乱。劫机首领用枪威胁乔伊，同时劫机者的同伙挟持了乔伊的妻儿。迫于形势乔伊只得配合劫机者，劫机者要求与乔伊的姐姐，即现任美国总统通话，勒令政府放了劫机者的同伙——雅利安同党，否则就与星际号同归于尽。总统面临一个艰难的决策：面对一群恐怖分子劫持了一架客机，且机长是总统的弟弟。总统将何去何从？是拯救弟弟？还是维护地面上人民的生命？。